The American alternative pop artist that many have come to know as Annie Goodchild, is now called ‘I Used to Be Sam.’
Her remarkable career has touched various corners of the earth, from the U.S. as a world-touring vocalist to Scott Bradlee’s Postmodern Jukebox, to performing in and out of Europe’s largest cities as the illustrious voice behind Melou, to finally opening for Alicia Keys in the city she now calls home – Basel, Switzerland.
How did you first start making music? Where did it all begin?
I had a piano in my house growing up, and I remember sitting there for hours discovering little melodies and then figuring out chords. But even before that I was always drawn to the sound of things in nature or in the city so singing and feeling the resonance of it in my chest came really naturally to me.
How would you describe your sound?
I would say I make cinematic, soulful and folk inspired sounds.
What influences most define your music?
I feel like each phase of my life was scored by the music I was most in love with at the time. The combination of those experiences and the music I listened to has really formed how I hear and translate my own life into layers of sound regardless of genre. When I was young, I listened to a lot of gospel, ‘60s and ‘70s soul, Rn’B and classical music. These artists and impactful vocalists really laid the foundation of “pouring all that you’ve got” into your performance, so much so, that just listening to them, you feel their heartbreak and their joy deep within your bones. When I got older, I started hitchhiking around the States with friends and was introduced to American folk and psychedelic classic rock. It immensely impacted my story telling. These experiences, combined with my love of strings and the boundless worlds classical music build, really form the bedrock of my music.
What’s next for you as an artist?
For me the person/artist bleed into one another. So, as I navigate my experience as a TRA / adoptee, I will hopefully gain some clarity, and that clarity will birth even more music. I think this track and its EP are the first steppingstone on this journey, but I have more I need to get out and more to unpack. As an artist I’d really love to be producing more. I always want to be communicating what I’m hearing in my head as clearly as possible – for the listener, myself, and when working with other artists – so production seems like a good direction to be heading towards.
What would your dream collaboration be?
I have fallen completely head over heels for so many artists, so the list is long. To cheat a little and name a few, my top collaborators would be James Blake, Max Richter, Moses Sumney, Bon Iver, and AMYRA.
Tell us about your new track ‘Gentle’
‘Gentle’ was the first song I wrote for the I Used to Be Sam EP. When I started writing it, I thought I was asking the world to be gentle with me. But as the song progressed, I realized I was pleading to myself to be gentle, kind, loving and patient. I needed and still need to show up for myself in a way that I haven’t before. The lyrics became vows to myself, and it has been a really nice way to help cast me off in the right direction.
What is your songwriting process? How does it all come together?
I don’t have one way of writing, especially with this EP. Sometimes I’ll write out a theme on piano or guitar, that usually have a way of being meditative, and as I repeat them, I can feel or hear in which direction I want the song to go. Other times I’ll make more of an atmosphere electronically, or a lyric will come to me first, and then I will match that lyric as best as I can to sound.
What’s the most important thing for you when you’re writing a song?
I think I’ll never be where I want to be with music and musicianship, so the most important thing for me is to communicate the emotion and experience I’m feeling as honestly as possible.
What has been your best moment as a musician so far?
Ooh – this is a very hard question to answer! There have been a handful of moments on stage where I was fully present despite the debilitating fear of stage fright – and in that clarity, I got to connect with other humans in a way that would have been impossible for me to get to otherwise. Sometimes a mass of people riding the same wave is just magic, you know?
The other side to this answer would be in the studio, when you have a special song, and it starts to take shape and come to life. It is really moving and totally addicting.
