Eloïse says of the video “Filming this video with Cherryade was the best, they had such a good vision of making three female characters with varying degrees of being a hot mess and we ended up going mental with it. Standing in a bath with a bodybuilder shrine drinking Lambrini is my new favourite pastime! We really wanted to get across that feeling of letting everything you have go and spiraling into some kind of Anna Nicole Smith style nightmare… Girls being allowed to have mental breakdowns is the new thing, watch this space.”
Recorded in LA in February this year, the song is a female powered slightly melancholic pop synth banger like her previous single ‘Drop Dead Gorgeous’ that celebrates the messy, chaotic, confusing and ultimately wonderful world of being a girl in her 20s. The song is rich in production with driving beats, thick catchy chorus with a dark bass undertone and slick harmonies. It’s a song that could have come from the likes of Charli XCX or even Florence & The Machine.
Inspired by pulp illustrations, horror and a passion for films, Natural Born Killers and true crime story podcasts, this 20-year-old singer songwriter has been hard at work releasing her poetic and compelling dark electronic pop material. From the 2016 single ‘Studio 54’ through to her debut EP ‘Marie Antoinette’ in 2017 along with an array of singles including ‘Suckers’ which have gained support from tastemakers The Line Of Best Fit, The 405 and featured in many Spotify playlists including New Music Friday and The Telegraph’s ‘Best New Music’.
This young songstress is heavily Influenced by pop culture and the arts including music from David Bowie, Frank Ocean, horror films, TV likeRuPaul’s Drag Race and has a strong affinity for powerful woman playing by their own rules. Jayne Mansfield, Anna Nicole Smith and Marilyn Monroe are particular icons.
As well as studying at UCL, Eloïse is back in the studio working with Ian Dowling (Adele, Bombay Bicycle Club, Emmy the Great) and Luca Buccellati (Lana Del Rey) crafting her next EP slated for release early 2019.
“Eloïse’s voice is magnificent” The Line Of Best Fit
“…a prodigal pop talent.” Clash Music
“… really gets your ears paying attention.” The 405
“Eloïse’s music is brooding, electronic pop that’s doused in satirical lyricism” – The Telegraph
